By Anna O. Shepard
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Extra info for Ceramics for the Archaeologist
It regained an upright position and began to leap towards the house, presumably still instinctively regarding this as a natural place of protection. Newton ran forward and, with courage he did not suspect until that moment he possessed, stood in its path waving his flaming torch while moving slowly forward. The Fly-by-Night, confronted in mid-leap by what it most feared, fell over, and Newton took advantage of the situation by thrusting his torch directly into the grimacing face. An ear-splitting shriek and it was flapping, creeping, lurching across the ground, oblivious of the growing light of day, fired only by the need to escape from the searing flames.
Newton went out into the hall and returned with a thick walking stick. " Celia exclaimed. " He brushed her to one side, then inserting the point of the stick under one wing, flipped the creature over on to its back. " A tiny, black fur-covered body, which terminated in bent hind legs; a narrow little white and completely hairless face that was lit by a pair of exquisite blue eyes and surmounted with a mop of shining black hair. The tiny teeth were white, and pointed, the ears tapered, the red lips full and parted.
But at the same time his brain, well trained in the art of manufacturing plots, creating problems that must be solved, devised a plan that was based on cool reason. The thing—whatever its original state—was solid: There must be a form of flesh which coated a framework of some matter that was akin to bone. Therefore, it followed the creature—now a title, an easily recognizable name, began to frequently cross his crowded brain: Fly-by-Night—could be destroyed. Perhaps it would quickly recover from wounds; it might well be beyond his strength to inflict any kind of damage, but there was an element that no solid creature could resist.